easter choral music

The following lists all sacred works available at CPDL that have been categorized in the parent category We asked the world's top choral directors to share their favorite pieces of easter music. 38, No. Here are 13 of the best pieces they picked. Die Erde jubilieret, BWV 31 (Johann Sebastian Bach), Ich weiß, daß mein Erlöser lebt (Georg Philipp Telemann), If ye be risen again with Christ (Christopher Tye), If ye be risen again with Christ (Orlando Gibbons), If ye then be risen with Christ (Charles Villiers Stanford), Laudes Christo Redemptori (Jacob Obrecht), Pascha nostrum (Kodex des Magister Nicolaus Leopold) (Anonymous), Pascha nostrum immolatus est Christus (Jacobus Vaet), Pascha nostrum, op. Choral SATB, Difficulty Easy Medium, Piano Choir, Seasonal Music Easter, Atonement, Easter, God the Father, Grace, Jesus Christ - Example, Jesus Christ - Savior, Jesus Christ-Son of God, Love, Plan of Salvation, Resurrection, Sacrament. … this is the last one, we promise – it’s hard not to get a bit obsessed with Bach’s choral writing when it’s this good. So to help get folks in Easter spirit, we’ve put together a little playlist of some of our favorite Christian music songs from recent years. In the 6th movement of the Requiem, Life’s battle against Death reaches its apogee – Death is fatally “erstochen” (“stabbed”), whilst Life taunts “Wo ist dein Sieg?” (“Where is your victory?”). Howard J. Slenk. Details. Choral > Easter; Easter. See the notes, listen to scores and download sheet music online. Symphony No 2, “Resurrection”, Gustav Mahler (1888 - 1894) A different sort of passion. By Michael Jothen. Hearts to heaven (Thurlow Weed), Alleluia! “If there is anyone who owes everything to Bach, it is certainly God.” – Emil Cioran. Easter Anthem MP3 Song by The Old Sturbridge Singers from the album New England Harmony: A Collection Of Early American Choral Music. SATB chorus and piano - Medium-easy Composed by Alexander Schreiner & Michael Finlinson Moody. Featured in the Christmas 2020 Red Box. Choral music for Easter and Eastertide Easter has its roots in the Jewish feast of the Passover. Born Is the King! Bravo. Premiered on Good Friday in St Thomas Church, Leipzig, in the late 1720s, the Passion’s two halves were originally intended to be sung on either side of the sermon – a daunting prospect for the congregation, given the piece alone already lasted over two-and-a-half hours! Vespere autem Sabbathi (William Byrd), And, behold, I am alive for evermore (Caleb Simper), Angelus Domini descendit (Christian Erbach), As Christ was raised from the dead (George Alexander Macfarren), As Christ was raised from the dead (Herbert Walter Wareing), At the Lamb's high feast we sing (Charles H. Giffen), At the Lamb's high feast we sing (Edward Vine Hall), At the sepulchre (Herbert Walter Wareing), Audivi vocem de caelo (Pierre de Manchicourt), Be glad then, O children of Zion (Alfred Hollins), Bleib bei uns, denn es will Abend werden, BWV 6 (Johann Sebastian Bach), Blessed be the God and Father (Samuel Sebastian Wesley), Christ being raised from the dead (George J. Elvey), Christ being raised from the dead (John Wall Callcott), Christ being raised from the dead (Stephen Jarvis), Christ is risen from the dead (Edwin Augustus Sydenham), Christ is risen from the dead (George J. Elvey), Christ is risen from the dead (John Varley Roberts), Christ ist erstanden (Chorale), BWV 276 (Johann Sebastian Bach), Christ ist erstanden a 3 (Michael Praetorius), Christ ist erstanden a 4 (Michael Praetorius), Christ lag in Todesbanden (Johann Hermann Schein), Christ lag in Todesbanden (Martin Luther), Christ lag in Todesbanden (Michael Praetorius), Christ lag in Todesbanden a 5 (Michael Praetorius), Christ lag in Todesbanden, BWV 277-278 (Johann Sebastian Bach), Christ our passover (George Alexander Macfarren), Christ our passover is sacrificed for us (John Goss), Christ the Lord is risen again (Edward Vine Hall), Christ the Lord is risen today (Edward Vine Hall), Christ the Lord is risen today (J. Ashley Hall), Christus resurgens ex mortuis (Giovanni Battista Stefanini), Christus resurgens ex mortuis (Johannes Wanning), Come, let us join our cheerful songs (Edward Vine Hall), Come, with high and holy gladness (Hugh Blair), Come, ye faithful, raise the anthem (Edward Vine Hall), Come, ye faithful, raise the strain (Edward Vine Hall), Come, ye faithful, raise the strain (Thurlow Weed), Congratulamini mihi omnes (Jacobus Clemens non Papa), The day of resurrection (Edward Vine Hall), Dum transisset Sabbatum a 5 (Robert Johnson), Dum transisset Sabbatum I (John Taverner), An Easter Gradual for SATB (Clifford Boyd), An Easter Introit (The Strife is o'er) (Denis Mason), Erfreut euch, ihr Herzen, BWV 66 (Johann Sebastian Bach), Erstanden ist der heilig Christ (Michael Praetorius), Expurgate vetus fermentum (Johannes Lupi), Expurgate vetus fermentum (Nicolas Gombert), Far be sorrow, tears, and sighing (Edward Vine Hall), Der Friede sei mit dir, BWV 158 (Johann Sebastian Bach), Gelobt sei Gott im höchsten Thron (Melchior Vulpius), Gloria Tibi Trinitas (Mamerts Celminskis), Hallelujah (from 'Messiah') (George Frideric Handel), Hallelujah! )), Macht auf das Tor der Gerechtigkeit (Bernhard Klein), Magnificat super Surrexit Pastor bonus (Michael Praetorius), Mane nobiscum Domine (Hieronymus Praetorius), Missa Regina caeli a 4 (Giovanni Pierluigi da Palestrina), Nav vairs miris dzīvības Kungs (Nie zna śmierci Pan żywota) (Traditional), Nunc dimittis "Il magnanimo Pietro" (Orlando di Lasso), O come, let us sing (Myles Birket Foster), O faelix o fausta dies (Leopold von Plawenn), O for a lay! Add To Cart Add To Wishlist. (Dan Forrest) SATB Choir with Piano (opt. Here is Claudio Abbado again (he did such a great job with the Mahler), this time with the Berliner Phil, the Swedish Radio Choir, and the Eric Ericson Chamber Choir. Accompaniment Tracks. 134 (Joseph Gruber), The Lord liveth (Arthur William Marchant), They have taken away my Lord (John Stainer), Thine be the glory (George Frideric Handel), This is the day (Arthur William Marchant), This is the day (George Alexander Macfarren), This is the day which the Lord hath made (Edward Vine Hall), Tulerunt Dominum meum (Giovanni Battista Dalla Gostena), Tulerunt Dominum meum (Hieronymus Praetorius), Tulerunt Dominum meum (Michael Praetorius), Tulerunt Dominum meum (Philippe de Monte), Tulerunt Dominum meum (Tiburtio Massaino), Victimae paschali laudes (Tomás Luis de Victoria), Victoria, Christo resurgenti (François Couperin), Vidi aquam, 6 settings from the Trent codices (Anonymous), Vidi Jerusalem (Jacobus Clemens non Papa), Vita sanctorum / Christe sanctorum (Michael Praetorius), Vstal z mrtvých Kristus Spasitel (Vojtěch Ulrich), Weib, was weinest du?, SWV 443 (Heinrich Schütz), When Christ, who is our life, shall appear (John Varley Roberts), When Mary thro' the garden went (Charles Villiers Stanford), When the Sabbath was past (Myles Birket Foster), Why seek ye the living among the dead (Myles Birket Foster), Why seek ye the living? Opening with a warm choral setting of Charles Wesley's Hail the Day That Sees Him Rise, this selection quickly builds to a triumphant and rhythmic Easter anthem. (Benjamin Milgrove), Herr Jesu Christe, Gottes Sohn (Michael Praetorius), Ein Herz, das seinen Jesum lebend weiß, BWV 134 (Johann Sebastian Bach), Historia von der Auferstehung, SWV 50 (Heinrich Schütz), Hor cess' il pianto (Giovanni Pietro Biandra), I will go unto the altar of God (Cuthbert Harris), I will magnify Thee, O Lord (William Henry Bell), Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 (Johann Sebastian Bach), If we believe that Jesus died (George Alexander Macfarren), Introit 26: Second Sunday of Easter (Jeremy Rawson), Introit 27: Third Sunday of Easter (Jeremy Rawson), Introit 28: Fourth Sunday of Easter (Jeremy Rawson), Introit 29: Fifth Sunday of Easter (Jeremy Rawson), Introit 30: Sixth Sunday of Easter (Jeremy Rawson), Introit 31: Sunday after Ascension Day (Jeremy Rawson), Jesus Christ is risen today (Alfred Robert Gaul), Jesus Christ is risen today, Op. DOWNLOAD. The music itself seems to moan. Verdi the showman manages to create a moment of perfect vulnerability, strength, and unquestioning faith all rolled into one. His timeless setting pays universal tribute to human sorrow and hope. $2.40 $2.28 (5% off) See more - Buy online Pre-shipment lead time: 1 to 2 weeks. In the second chorale, entitled “Herzliebster Jesu, was hast du verbrochen?” (“Ah, Holy Jesus, How Hast Thou Offended?”,) Jesus tells his disciples that he is going to Jerusalem where he will be crucified. Digital. Similar items. Here is the colossal “Hallelujah!” chorus, probably the most famous chorus in all British music! Christmas (151) Easter (97) General (40) Non-Seasonal (11) Voicing. John Purifoy: Easter Chorale and Alleluia. This setting of the “Cruxifixus” drives in every nail until it hurts. Learn how your comment data is processed. All of the tunes and texts appear in one or more of the three new Reformed hymnals: Rejoice in the Lord, the Psalter Hymnal, and the Trinity Hymnal. Cantate Domino (Hans Leo Hassler), Alleluia: Dominus in Sina (Heinrich Isaac), Am Himmelsfahrtstage, Op. Ave Maria - Virga Jesse floruit (William Byrd), Alleluia. As early as the 1st Council of Nicea (325), the date for Easter was specified as the first Sunday after the first full moon after the beginning of spring. Season. music with vision is a blog by medici.tv, the world's leading classical music platform. (Rowland Hugh Prichard), Alleluia. Enjoy the tunes and have a happy Easter. 66/13 (Oreste Ravanello), Service for the Ascension of Our Lord (Alexander Ledkovsky), Tempus est ut revertar (Orlando di Lasso), Viri Galilaei (Jan Pieterszoon Sweelinck), Viri Galilaei / Ascendit Deus (Giovanni Pierluigi da Palestrina), Wer da gläubet und getauft wird, BWV 37 (Johann Sebastian Bach), Why stand ye gazing up (George Alexander Macfarren), Ye gates and everlasting doors (Joseph Key), https://www.cpdl.org/wiki/index.php?title=ChoralWiki:Music_for_Easter&oldid=1057430. Episodes in the life of an artist: The astonishing life and... 10 Dinner Party Facts on Handel’s Messiah. Words and Music by: Dottie Rambo, Spiritual 9780834185579 Arranged and Orchestrated by: Phil Nitz Words and Music by: Dottie Rambo, Spiritual Anthe, Easter Easter. 2 (Charles Villiers Stanford), Elevatis manibus benedixit eis (Cesare Zoilo), The eternal gates lift up their heads (Christopher Tye), Festum nunc celebre – *Conscendit iubilans laetus (Ludwig Senfl), Gen Himmel fährt der Herre Christ (Johannes Eccard), God is gone up with a merry noise (William Croft), Gott fähret auf mit Jauchzen, BWV 43 (Johann Sebastian Bach), Hail the day that sees him rise (Mark Liversidge), If ye then be risen with Christ (Myles Birket Foster), Jesu nostra redemptio (Tomás Luis de Victoria), Jesus, Lord of Life Eternal (Charles H. Giffen), Lobet Gott in seinen Reichen, BWV 11 (Johann Sebastian Bach), The Lord reigneth (George Alexander Macfarren), Non conturbetur (1st setting) (John Sheppard), Non conturbetur cor vestrum (Pierre de Manchicourt), Nun freut euch, Gottes Kinder all (Sigrid Schultz-Kokerbeck), O all ye people, clap your hands (Thomas Tremain), O for a shout of sacred joy (Thomas Clark), O God, the King of glory (Orlando Gibbons), O Rex gloriae (Giovanni Pierluigi da Palestrina), Omnis pulchritudo Domini (Andreas de Silva), Our God ascended up on high (John Arnold), Pater manifestavi nomen tuum (Ludwig Senfl), Post processionem in Ascensione Domini (Gregorian chant), Salutis humanae Sator (José Maurício Nunes Garcia), Salutis humanae Sator, op. His interweaved arias, recitatives, choruses and chorales create rich tapestries of emotion that provide the perfect accompaniment to Easter. Sort By: New Release. Chorales like this include us in the story and really tug at our heartstrings. The choir is instructed to sing mit höchster Kraft (“with utmost power”) and this excerpt under the baton of Claudio Abbado surely showcases the transcendent power of choral music at its best. This excerpt from the movement Fons amoris, performed by a vintage Prague Symphony Orchestra and Prague Symphonic Choir, beseeches Mary: “Mother, fountain of love, make me feel the power of sorrow, that I may grieve with you.”, First performed in 1895, Mahler’s “Resurrection” Symphony is telling of the Austrian composer’s lifelong infatuation with the beauty of the afterlife and of his belief in resurrection. Choral Music. organ and tambourine) An upbeat, rhythmic setting of Charles Wesley's Easter text with original music by Dan Forrest. Adult Easter choral music from simple-to-learn unison arrangements to massive SATB arrangements with full drama. ® Download Easter Anthem song on Gaana.com and listen New England Harmony: A Collection Of Early American Choral Music Easter … It may be a “German” Requiem, but Brahms considered it above all a “human” Requiem, written to offer hope and comfort to humanity. The St. John Passion is shorter and more dramatic than the later St. Matthew Passion. Ad caenam agni providi (Tomás Luis de Victoria), Ad coenam agni providi (Giovanni Pierluigi da Palestrina), Ad coenam Agni providi (Johann Stadlmayr), Ak, Dieva Māte, priecājies (Be Joyful, Mary, Heav'nly Queen) (Johannes Leisentritt), Ak, līksmes diena (Giovanni Pierluigi da Palestrina), Alleluia surrexit Dominus (Jacquet de Mantua), Alleluia! This site uses Akismet to reduce spam. 3 (Johannes Brahms), Responsorial Psalm 118 - The Lord is my strength and my song (Charles H. Giffen), Seele, dein Heiland ist frei von den Banden (Christoph Dalitz), Shout the cheers of Easter (Joseph Edmund Mills), Sing ye to the Lord (Charles Harford Lloyd), A Song for Easter Day (Hermann Kotzschmar), Surrexit pastor bonus (Francesco Croatti), Surrexit pastor bonus (Giovanni Battista Mosto), Surrexit pastor bonus (Girolamo Baglioni), Surrexit pastor bonus (Giulio Cesare Gabussi), Surrexit pastor bonus (Hieronymus Praetorius), Surrexit pastor bonus (Matthias Gastritz), Surrexit pastor bonus (Pompeo Signorucci), Surrexit Pastor bonus (Tomás Luis de Victoria), Surrexit pastor bonus a 4 (Giovanni Matteo Asola), Surrexit pastor bonus a 4 (Giovanni Pierluigi da Palestrina), Surrexit pastor bonus a 8 (Giovanni Matteo Asola), Ten thousand times ten thousand (Edward Vine Hall), Ten thousand times ten thousand (Ferris Tozer), Terra tremuit/Angelus Domini, op. Who owes everything to Bach, it is certainly God. ” – Emil Cioran Dei, Requiem. 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